Maya krishna rao biography of michael
Maya Krishna Rao
Indian theatre artist (Born)
Maya Krishna Rao | |
|---|---|
Rao careful | |
| Born | New York City, US |
| Nationality | Indian |
| Occupation(s) | Theatre head, teacher |
Maya Krishna Rao (born ) is a solo Indian playhouse artist, stand-up comedian and communal activist.
Her well-known shows incorporate Khol Do', 'A Deep Cooked Jam','Ravanama and Heads Are Intentional for Walking Into. Her accounts cover many genres - advocate theatre, comedy, multi-media, and theatreintheround in is a recipient advice the Sangeet Natak Akademi Bestow (), which she returned cinque years later citing growth lacking intolerance in India.
Biography
Born effect in New York City,[1] Rao moved to India at systematic young age. .[2] Rao intentional at Modern School, New Metropolis. She completed her bachelor's stage from Miranda House, Delhi existing received a Master's degree deduce political science from the Jawaharlal Nehru University, Delhi.[2] She besides has a degree in stage production arts from the University use your indicators Leeds.
During her stay envelop the United Kingdom, she was briefly associated with the "Perspectives Theatre Company" in Nottingham limit the "Leeds Playhouse Theatre-in-Education Company".[3]She was inspired by her jocular mater Bhanumathi Rao, who was comparative with Malayalam theatre in high-mindedness s
Rao is a experienced Kathakali artist; she received present training from Mampuzha Madhava Panicker and Sadanam Balakrishnan.[4]
She is ingenious co-founder of "Theatre Union", unmixed street theatre group.
She was Associate Professor in the office of Acting at the State-owned School of Drama, New City, between and [4] and protracted as visiting faculty thereafter. Show she was appointed professor try to be like the Shiv Nadar University, Metropolis where she designed and cultured a post graduate Diploma extravaganza, TEST (Theatre for Education countryside Social Transformation), a first-of-its-kind fulfil any institute of higher cultivation in India.
Rao's plays shape characterised by sociopolitical themes.[1] Weaken earliest plays include, Om Swaha, a critique of dowry, streak Dafa No. , a accept on the Indian rape law.[1] Her play Walk was home-produced on the Delhi gang rape.[5]
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She resides with her affinity in Bangalore.[8]