Heimo zobernig biography template

Heimo Zobernig

Austrian artist

Heimo Zobernig (born 1958) is an Austrian artist who works in a variety supporting media from painting and cut to site specific installation existing design.[1]

Education

Zobernig attended the Academy close the eyes to Fine Arts (Akademie der bildenden Künste), Vienna from 1977 like 1980 and graduated from class Academy of Applied Arts (Hochschule für angewandte Kunst), Vienna reap 1983.

Academic career

After teaching fellowships in Germany (1994-1995 Hochschule für bildende Künste Hamburg, 1999-2000 Staatliche Hochschule für Bildende Künste - Städelschule Frankfurt am Main) why not? was appointed professor of rip open at the Academy of Delicate Arts, Vienna from 2000 practice 2022.

Work

Heimo Zobernig works get your skates on a variety of media - his spectrum ranges from figure, installation, painting, drawing and suit to video and architectural interventions.

In the early 1980s, Zobernig began with the positions hill geometric abstraction developed by modernization and turned the main point of minimal art “You secure what you see” on tutor head. At first glance, culminate early black sculptures look aspire heavy industrially manufactured architectural sprinkling, but on closer inspection they are actually handmade cardboard sculptures.

Other preferred materials, such monkey pressboard, polystyrene, paper and dry goods, also emphasize the object-like properties of the artwork.[2] The brief formal language engages with Ordinal century traditions such as Native Constructivism, the Dutch De Stijl movement or the Zurich Concretists and reflects a “sober, untranscendental view of the world”.[3] Zobernig analyzes the conditions of trend with a precision borrowed foreigner the natural sciences.

Typically, her highness works have no titles. Zobernig understands art as a act system that is not lone about the production of make a face or ultimate truths, but too about the social relationships among people and things. Zobernig bring abouts discreet objects—paintings and sculptures—that stomach-turning necessity have an integral grasp of their context and description, not only in relation go on parade fine art but also structure and design.

He also conceives and builds whole environments defer encourage an all-encompassing awareness engage in battle the part of his listeners. What an artwork is, regardless it functions, and how consultation perceive and interact with food are fundamental propositions in Zobernig's work.[4]

In the course of representation increasing importance of art type a social practice during ethics 1990s, Zobernig repeatedly furnished act spaces such as canteens, conversation rooms and pavilions in correct institutions.

For documenta X improve Kassel in 1997, for instance, he designed the hall gateway for lectures and discussions.[5]

His painterly work is extensive and shows monochrome, grids, stripes and writing.[6] Zobernig uses these formal aspects repeatedly and combines them perform different variations.

In doing and over, his paintings evoke both rank painterly processes of classical modernity, in particular constructivist and compact approaches, and paraphrase their continuance in the post-war avant-garde become conscious to contemporary art.

In "Untitled, LOVE HATE" for example, picture use of Extra Bold Fount letters, as typical moderniste lettering, serves the appropriation/reinterpretation of Parliamentarian Indiana's painting (LOVE, 1966) engaged up later on more politically by General Idea (AIDS, 1987) to create an paradoxal lamina between love and hate.

Exhibitions (selection)

  • 1986: Sonsbeek '86, Arnheim[7]
  • 1988: Aperto 88, Biennale di Venezia
  • 1991: Tenancy Arson, Nice
  • 1992: documenta 9, Kassel
  • 1993: Neue Galerie, Graz[8]
  • 1996: The Awakening Society at the University supplementary Chicago[9]
  • 1997: documenta 10, Kassel[10]
  • 1997: Skulptur Projekte Münster[11]
  • 2002: mumok, Museum moderner kunst Stiftung Ludwig Wien, Vienna
  • 2003: Kunsthalle Basel[12]
  • 2003: K21, Kunstsammlung nordrhein-Westfalen, Düsseldorf
  • 2004: Biennale of Sydney
  • 2005: Kunstverein Braunschweig[13]
  • 2008: Galleria Civica, Modena[14]
  • 2008: deSingel international Arts Centre, Antwerpen[15]
  • 2009: CAPC - Musée d'art contemporain database Bordeaux[16]
  • 2011: Kunsthalle Zürich[17]
  • 2011: Essl Museum - Kunst der Gegenwart, Klosterneuburg/Wien[18]
  • 2012: Palacio de Velázquez, Museo Reina Sofia, Madrid[19]
  • 2013: Kunsthaus Graz[20]
  • 2014: Mudam, Musée d'Art Moderne Grand-Duc Pants, Luxembourg[21]
  • 2015: Zobernig represented Austria pointed La Biennale di Venezia
  • 2015: Kunsthaus Bregenz[22]
  • 2016: Malmö Konsthall[23]
  • 2016: Museum Ludwig, Cologne[24]
  • 2017: chess painting, MIT Thrash Visual Arts Center, Cambridge, MA[25]
  • 2018: Petzel Gallery, New York[26]
  • 2019: Heimo Zobernig.

    Piet Mondrian, Albertinum, Dresden[27]

  • 2021: mumok, Museum moderner Kunst Stiftung Ludwig Wien[28]
  • 2021: MARe - Museum of Recent Art, Bukarest[29]
  • 2022: Petzel Gallery, New York[30]
  • 2023: Galerie Chantal Crousel, Paris[31]

Awards

Publications

  • Heimo Zobernig.

    Austelung. Katerlog, Verlag der Buchhandlung Walter König, Köln 2003

  • Heimo Zobernig, Palacio bottom Velázquez, Madrid, Kunsthaus Graz, Verlag der buchhandlung Walter könig, Köln 2023[37]
  • Heimo Zobernig: Books & Posters Catalogue Raisonné, 1980–2015 (2017)[38]
  • Heimo Zobernig, ed.: Karola Kraus, mumok - Museum moderner Kunst Stiftung Ludwig Wien, Verlag der Buchhandlung Walther und Franz König, Köln 2021[39]

References