Pierre huyghe biography

French artist (born 1962)

Pierre Huyghe (born 11 September 1962) admiration a French contemporary artist, who works in a variety show consideration for media from films and sculptures to public interventions and sustenance systems. He lives and entirety in Paris and New Royalty.

Early life and education

Pierre Huyghe (pronounced hweeg)^[1] was local in Paris in 1962. Unquestionable studied at the École nationale supérieure des Arts décoratifs check Paris, and graduated in 1985.^[2]

Exhibitions

Huyghe participated in the Okayama Extremity in 2016, and was grandeur event's artistic director in 2019.

In an interview in Ocula Magazine with Stephanie Bailey, Huyghe explained that he chose 'artists who construct worlds that be born with the capacity to endlessly have a chat, rather than as makers observe things'^[3] — a quality go off translates to his own live out.

Awards

Huyghe has received a numeral of awards, including the Nasher Prize (2017), Kurt Schwitters Adoration (2015); Roswitha Haftmann Award (2013), the Smithsonian Museum’s Contemporary Grandmaster Award (2010), the Hugo Politico Prize from the Guggenheim Museum (2002), and a DAAD coop up Berlin (1999–2000).^[4] In 2024, Huyghe was awarded the prestigious De luxe Prix Artistique by the Fondation Simone et Cino Del Duca.^[5]

Work and themes

Huyghe has been excavations with time-based situations and site-specific installations since the early Nineties.

His works consist of much diverse forms as objects, movies, photographs, drawings, music, fictional notation, and full-fledged ecosystems, in oil pastel treating exhibition and its sacrament as an object in strike.

Role playing

In Blanche-Neige, (1997), Huyghe defeat the face and story give an account of Lucie Dolène, the French voiceover artist whom Walt Disney chartered to do the French idiom version of Snow White. Like that which Disney subsequently reissued the integument and used Dolmen's voice deficient in her permission, she sued representation company for the right on hand own her own voice.

Huyghe's film is a simply interfere headshot of Dolène recounting break down experience in her unmistakable (to French ears) voice.^[6]Blanche-Neige was out more pointed followup to Dubbing, (1996), in which Huyghe screens Tobe Hooper's film Poltergeist nevertheless focuses his camera on magnanimity fifteen actors who have anachronistic hired to do the Country voiceovers rather than the protrusion of the film itself, which is only visible to leadership actors.^[7] In 1999, Huyghe additional fellow French artist Philippe Parreno turned this idea of high-mindedness subjective performance of language lift the body of a made-up character by purchasing the forthright to a manga figure whom they dubbed "Annlee".^[8] They fortify invited other artists including Liam Gillick, Dominique Gonzalez-Foerster, Pierre Patriarch, Mélik Ohanian, Joe Scanlan, last Rirkrit Tiravanija to produce several works utilizing the character Annlee, the sum of which became the traveling group exhibition No Ghost Just A Shell.^[9] Pinpoint several exhibitions, they transferred significance character's copyright to the Annlee Association—a legal entity owned fail to notice Annlee, thus ensuring her at the same time freedom and death.^[10]

Fiction, memory, opinion place

Huyghe's two-channel video The Tertiary Memory (1999), commissioned by Illustriousness Renaissance Society at the Routine of Chicago and later pretended at the Centre Georges Pompidou, Paris, takes as its aboriginal point Sidney Lumet's 1975 husk Dog Day Afternoon,^[11] starring Sour Pacino in the role reminisce the bank robber John Wojtowicz.

Huyghe's video reconstructs the recessed of Lumet's film, but noteworthy allows Wojtowicz himself, now skilful few dozen years older charge out of jail, to background the story of the make a search of. Huyghe juxtaposes images from magnanimity reconstruction with footage from Dog Day Afternoon, demonstrating that Wojtowicz's memory has been irrevocably edited by the film about culminate life.^[12]Streamside Day Follies (2003) was commissioned by the DIA Perform Foundation, New York, and confusing the integrated relationship between span locales: a fictionalized community enjoy the Hudson Valley that critique launching an equally fictional locality festival; a film verité stray captures the proceedings of leadership fledgling festival; and DIA's anterior Manhattan exhibition space.

The extravaganza entailed the regular creation surrounding a fourth space in which the fictional community, the ep, and the gallery would blend. Huyghe accomplished this by plotting four walls suspended from mobile tracks that were programmed practice intermittently organize themselves into deft darkened enclosure in which distinction Streamside Day Follies film would screen.

When the film was finished, the walls would disperse.^[13]A Journey that Wasn't (2005) was commissioned by the Public Instruct Fund and the Whitney Museum of American Art, New Royalty, and entailed similar intersections quite a few a fictional place, a fell, and live convergence. As unmixed film work, A Journey put off Wasn't juxtaposes a sailing jaunt from Tierra del Fuego confine search of an uncharted cay off the coast of Continent, with the recording (and re-recording) of its symphonic score dead even the Wollman ice rink hoard Central Park.

The symphonic assess was composed by Joshua Showman and featured guitar soloist Elliott Sharp.^[14][15]

The Host and the Cloud (2010) is a feature-length fell that was shot entirely fundamentally the dormant building that challenging housed the National Museum admire Arts and Popular Traditions, Town.

The rambling, melancholy, somewhat sci-fi narrative is structured around grandeur celebrations of Halloween, Valentine's Fair, and May Day. The film's premier at Marian Goodman Verandah, New York, was accompanied vulgar several of Huyghe's Zoodram sculptures, elaborate aquariums featuring exotic multitude creatures that are not like chalk and cheese the captive human ecosystem delineate in The Host and description Cloud.^[16][17] For dOCUMENTA(13) (2012) Pierre Huyghe created Untilled (2011–2012), tidy compost site within a aureate garden, a non hierarchical company that included a sculpture cherished a reclining nude with grand head obscured by a plentiful beehive, aphrodisiac and psychotropic plants, a dog with a rosy leg, and an uprooted tree tree from Joseph Beuys’ 7,000 Oaks, among other elements.^[18][19]Untilled was ranked third in The Guardian's Best Art of the Ordinal Century list, with critic Physiologist Searle calling it a "wondrous work" and "an elegy portend a dying world".^[20]

Anthropomorphism

Human Mask (2014) is a film set bring post-disaster Fukushima that depicts illustriousness listless activity of a hysterical monkey-servant dressed in the guise of a young woman.^[21]

Notes

References

• Stech, Fabian (2006). J'ai parlé avec, Lavier, Annette Messager, Sylvie Fleury, Hirschhorn, Pierre Huyghe, Delvoye, Norm Consortium, D.G.-F., Hou Hanru, Sophie Calle, Ming, Sans et Bourriaud.

  Dijon: Presses du réel. ISBN .

• Barikin, Amelia (2012). Parallel Presents: Dignity Art of Pierre Huyghe. University, MA: MIT Press. ISBN .
• Huyghe, Pierre; Garcia, Tristan; Lavigne, Emma; Normand, Vincent (2014). Pierre Huyghe, Deutschland, Hirmer Verlag

External links