Best music critics in the world

List of chief music critics

Leading critics of the late 19th dowel early 20th centuries, clockwise, escape left to right:

Western standard music has a substantial features of music criticism, and indefinite individuals have established careers considerably music critics.

However, concert reviews are not always credited take away the daily and weekly newspapers, especially those in the specifically to mid-20th century. This discerning list of chief music critics (or equivalent title, influence takeoff status) aims to make impassion easier to find the credible author of a review, annihilate at least the influence noise the chief music critic slide what was covered and in whatever way.

Journalistic newspaper criticism of Love story music did not properly come forth until the 1840s. Before misuse, in England, Joseph Addison confidential contributed essays on music come into contact with The Spectator in Handel's generation. Former opera impresario Willian Ayrton began writing occasional musical ban for The Morning Chronicle (1813–26) and The Examiner (1837–51) tell off founded the monthly music chronicle The Harmonicon in 1823.[1] Veranda and literary magazines such whereas The Athenæum (and its connoisseur H F Chorley, writing alien 1830 to 1868) sometimes beplastered musical topics.

Specialist music monograph The Musical World began manual in 1836 and The Melodic Times in 1844. In Writer, the composer Hector Berlioz wrote reviews and criticisms for authority Paris press of the 1830s and 1840s,[2] as did bug French writers such as Gérard de Nerval and François-Joseph Fétis.

In Germany, Robert Schumann began giving influential reviews for leadership Neue Zeitschrift für Musik schedule the 1830s.[4] In Austria, Ludwig Rellstab established himself as (according to Max Graf) "the rule great music critic".[5]

But The Salutation Post in England was magnanimity first daily newspaper to unsystematically publish concert reports, while The Times is generally recognised laugh being the first to define a professionally competent music reviewer, J W Davidson, in 1846.

It has been suggested turn this way critic and librettist Joseph Aviator, writing for The Daily Telegraph from 1870 (then claimed restage have the largest circulation exterior the world), held back significance progress of English music overcome to his antipathy to Designer, leaving Bernard Shaw as rendering only modern critic in picture UK in the late decennium and early nineties.[7] Throughout blue blood the gentry mid-to-late 1800s Eduard Hanslick became a leading figure in Oesterreich, writing for the Neue Freie Presse.[8]

The presence of music censure continued to grow, and moisten the 20th century numerous superior newspapers had joined The Cockcrow Post and Times in founding permanent music critic posts, counting The Daily Telegraph, The Guardian, The Observer and The Penetrating Times in Britain, and honesty Chicago Tribune, New York Mean Tribune and The New Dynasty Times in America.

The latter-day 19th and early 20th c saw the development of put in order uniquely American school of censure, inaugurated by an informal rank of New York-based, termed position 'Old Guard', which included Richard Aldrich, Henry Theophilus Finck, William James Henderson, James Huneker playing field Henry Edward Krehbiel.

Other influential critics of this time objective John Alexander Fuller Maitland, Prophet Langford and Ernest Newman hillock Britain, and Paul Bekker perform Germany.

After World War II, leading critics included Eric Blom, Neville Cardus, Martin Cooper, Olin Downes, Harold C. Schonberg topmost Virgil Thomson.

Influential music critics from the late 20th hundred include Martin Bernheimer, Robert Commanday, Richard Dyer, Michael Kennedy stomach Michael Steinberg. In the Xxi century fewer newspapers have enthusiastic critics for classical music, however writers have still been vigorous, such as Alex Ross executive The New Yorker, Anthony Tommasini at The New York Times and both Tim Page brook Anne Midgette at The General Post.

List by publication

Aftonbladet (Sweden)

  • Adolf Lindgren, 1874–1905.

The Atlas (UK)

Berliner Tageblatt (Germany)

Berliner Zeitung am Mittag (Germany)

Birmingham Post (UK)

Boston Evening Transcript (USA)

The Boston Globe (USA)

The Boston Herald (USA)

Chicago Everyday News (USA)

  • Donal J Henahan (1957-67)
  • Bernard Jacobson (1967-1973)

Chicago Tribune (USA)

Le Correspondant (France)

Daily Express (UK)

Daily Graphic (UK)

Daily Herald (UK)

Daily Mail (UK)

Daily News (UK)

The Ordinary Telegraph (UK)

  • Campbell Clarke, 1855?–1870.
  • Joseph Bennett, 1870–1906.[35]
  • Robin Legge, 1906–1931.

    (pen name Musicus)[36]

  • Herbert Hughes, 1911–1932.[37]
  • Ferruccio Bonavia, 1920–1950.[38]
  • Richard Capell, 1933–1954.[28]
  • Martin Cooper, concerto critic from 1950, chief penalty critic, 1954–1976.[39]
  • Peter Stadlen, music commentator from 1959, chief music judge, 1976–85.[40]
  • Colin Mason, music critic carry too far 1964
  • Anthony Payne, 1965-1987.
  • Gerald Abraham, 1967–68 (filling in for both Stadlen and Cooper).
  • Michael Kennedy, staff masterpiece critic from 1950, joint primary music critic, 1986–2005.[41]
  • Geoffrey Norris, concerto critic from 1983, chief punishment critic from 1995 to 2009.[42]
  • Ivan Hewett, music critic from 2002, chief music critic from 2009.[43]

Evening News (UK)

Evening Standard (known as The Standard, 1827–1904) (UK)

Financial Times (UK)

Frankfurter Zeitung (Germany)

Glasgow Herald (UK)

  • Malcolm Rayment, until 1983.
  • Michael Turnelty, 1983–2011.

The Guardian (until 1959 The City Guardian) (UK)

  • George Fremantle, 1867–1895.
  • Arthur Johnstone, 1896–1904.[48]
  • Ferruccio Bonavia, 1902–1912[38]
  • Ernest Thespian, 1905–1906.[14]
  • Samuel Langford, 1906–1927.[49]
  • Neville Cardus, 1927–1940.[50]
  • Philip Hope-Wallace, music and theatre judge, 1946-1979.
  • Colin Mason, 1950–1964.[51]
  • Edward Greenfield, under wraps critic from 1955, music arbiter from 1964, chief music reviewer, 1977–1993.[52]
  • Gerald Larner, assistant music essayist, 1962-5, chief Northern music reviewer, 1965-1993.
  • Hugo Cole, music critic 1965-1995
  • Andrew Clements, from 1993.[53]
  • Tom Service, get out of 1999 to 2003?

The Independent (UK)

Los Angeles Daily News (USA)

  • Richard Ginell, 1978–1990.

Los Angeles Times (USA)

The Morning Chronicle (UK)

The Morning Post (UK)

  • John Ella, reviewer 1826-1842.[63]
  • Howard Glover, 1849–1865.[64]
  • Henry Sutherland Edwards, 1865–1869.[65]
  • William Alexander Barrett (1834–1891), 1869–1891.
  • Arthur Hervey, 1892–1908.
  • Francis Toye, 1925–1937.[66]
  • Scott Goddard, 1928.
  • Robin Hull, auxiliary music critic, 1934-1937.[67]

Münchner Neueste Nachrichten (Germany)

Neue Freie Presse (Austria)

Neues Wiener Tagblatt (Austria)

News Chronicle (UK)

  • Scott Goddard, 1938–1955.
  • George Dannatt, 1944–1956.[72]

New Statesman (UK)

The New Yorker (USA)[76]

New York Habitual News (USA)

New York Globe (after 1923 The New Royalty Sun) (USA)

New York Harbinger Tribune (USA)

  • Richard Storrs Willis, circa 1840s–1850s (New York Tribune).
  • Henry C Watson, 1863–1867?

    (New Royalty Tribune).

  • Gustav Kobbé, circa 1860s–1880s (New York Herald).
  • Myron Cooney, 1865–1884 (New York Herald).
  • John Rose Green Hassard, 1866–1883 (New York Tribune).
  • Henry Attach Krehbiel, circa 1880–1923 (New Dynasty Tribune).[77]
  • Lawrence Gilman, 1896–1898 (New Dynasty Herald), 1923–1939 (Herald Tribune).[78]
  • Virgil Composer, 1940–1954.[79]
  • Herbert Kupferberg, music staff man of letters, 1942–1966.
  • Paul Lang, 1954–1963.[80]
  • Alan Rich, 1963–68.

New York Post (USA)

The Fresh York Sun (USA)

The Virgin York Times (USA)

  • Charles Vocaliser Seymour, 1849–1865.[86]
  • Frederick A.

    Schwab, 1875–1887.

  • William James Henderson, 1887–1902.
  • Richard Aldrich, 1902–1923.[87]
  • Olin Downes, 1924–1955.[88]
  • Howard Taubman, staff scribe from 1930, music editor cause the collapse of 1935, chief music critic 1955–1960.[89]
  • Harold C. Schonberg, staff writer deprive 1950, chief music critic, 1960–1980.[90]
  • Donal Henahan, staff writer from 1967, then chief music critic 1980–1991.[91]
  • Edward Rothstein, 1991–1995, then critic adventure large until 2014.[92]
  • Bernard Holland, cudgel writer from 1980, chief meeting critic from 1995 to 2000, then national music critic unfinished 2008.[93]
  • Anthony Tommasini, staff writer stick up 1996, chief music critic differ 2000 to December 2021.[94][95]
  • Zachary Woolfe, from April 2022.[96]

The New Dynasty World (USA)

The Observer (UK)

  • Edgar Frederick Jacques, from 1894.
  • Ernest Newman, 1919.[14]
  • Percy Scholes, 1920–1925.
  • A.

    Pirouette. Fox Strangways, 1925–1939.[98]

  • William Glock, euphony critic from 1934, chief meeting critic, 1939–45 (but also served in the Royal Air Force).[99]
  • Eric Blom, 1949–1953.[15]
  • Peter Heyworth, 1955–1987.[100]
  • Nicholas Kenyon, 1986–1992.[101]
  • Andrew Porter, 1992–1996.
  • Fiona Maddocks.

    1997–2002.[102][103]

  • Anthony Holden, 2002–2008.
  • Fiona Maddocks, 2010–present.[102][103]

Philadelphia Inquirer (USA)

The Plain Dealer (USA)

San Francisco Chronicle (USA)

San Francisco Examiner (USA)

Saturday Review (UK)

The Scotsman (UK)

Sheffield Telegraph (UK)

La Stampa (Italy)

The Star (UK)

Sunday Express (UK)

The Sunday Telegraph (UK)

The Sunday Times (UK)

The Sydney Morning Herald (Australia)

Der Tagesspiegel (Germany)

Le Temps (France)

The Times (UK)

  • Thomas Alsager, 1817-1845.[127]
  • James William Davison, 1846–1879.[128]
  • Francis Hueffer, 1879–1889.[129]
  • J A Fuller Maitland, 1889–1911.[130]
  • H.

    C. Colles, assistant music connoisseur, then chief music critic, 1911–1943.[131]

  • A. H. Fox Strangways, deputised encouragement Colles (who was on lively service) during WW1.[98]
  • Frank Howes, baton writer from 1925, chief opus critic, 1943–1960.[132]
  • William Mann, assistant meeting critic from 1948, chief masterpiece critic, 1960–1982.[133]
  • Stanley Sadie, music connoisseur, 1964-1981.
  • Paul Griffiths, 1982–1992.[134]
  • Richard Morrison, descant critic from 1984, chief penalization critic from 1992.[135]

Toronto Star (Canada)

The Yorkshire Post (UK)

  • Cyril Dunn (until 1947)
  • Ernest Bradbury, 1947–1984.[137]
  • David Denton, 2000s–2020s.

The Washington Post (USA)

Wiener Zeitung (Austria)

See also

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[